{"id":540,"date":"2018-11-27T09:16:54","date_gmt":"2018-11-27T09:16:54","guid":{"rendered":"https:\/\/gfr.ge\/home\/"},"modified":"2025-10-13T18:59:24","modified_gmt":"2025-10-13T18:59:24","slug":"home","status":"publish","type":"page","link":"https:\/\/gfr.ge\/en\/","title":{"rendered":"Home"},"content":{"rendered":"
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\"slider_5\"
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\"\u10d2\u10dd\u10e1\u10d9\u10d8\u10dc\u10de\u10e0\u10dd\u10db\u10d8
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For the first time in the history of Georgian film, the portal of Georgian film criticism.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The project is funded\nby the Ministry of Culture, Sports and Youth of Georgia.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Reviews<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Georgian Film History<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Overview of Georgian Film<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The platform Georgian Film Review is dedicated to an overview of modern Georgian film, its\nfeatures, trends, major aspects, and new movies; however, the reader will also find some materials from the history of Georgian film and also the best reviews developed in the early years by the film critics of the older generation.\u00a0
<\/span>Professional and student film critics are involved in the working process of the website, whose analytical articles regarding Georgian professional and student feature, documentary, and animated films will greatly contribute to the refinement and development of our film criticism as well as the popularization of the Georgian national film.\u00a0
<\/span>The website is bilingual, in Georgian and English, in order to provide desirable and proper information for both local and international movie fans.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\""\u10ef\u10d0\u10e0\u10d8\u10e1\u10d9\u10d0\u10ea\u10d8\u10e1
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\"Father of a Soldier\"<\/figcaption><\/figure><\/div>
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\"Keto and Kote\"<\/figcaption><\/figure><\/div>
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\"Giorgi Saakadze\"<\/figcaption><\/figure><\/div>
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\r\n\t\t\t\t\t\t\t\tTHE WAR THAT HASN\u2019T ENDED<\/span><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t
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\r\n\t\t\t\r\n\t\t\t\tTHE WAR THAT HASN\u2019T ENDED\t\t\t<\/a>\r\n\t\t<\/h2>\r\n\t\t\t\t
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\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\t2026<\/a>, Teona Vekua<\/a>, Professional Film<\/a>\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\t\t\t
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When we talk about Georgian cinema, we often think of old, classic films where everything is clear, the characters are either good or bad, and the story has a clear ending. Merab Kokochashvili\u2019s film, \u201cTerzo Mondo\u201d (2024) is a completely different type of film. This is not a film that will entertain you. This is a work that will remind you of old times and make you think about what hurts you the most. The film is about people who went through the hell of the 1990s and still can\u2019t understand how they lost each other.\nThe 1990s were not just a crisis ...<\/p>\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t\t

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\r\n\t\t\t\t\t\t\t\tBETWEEN LOVE AND FEAR<\/span><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t
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\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\t2026<\/a>, Barbara Rikadze<\/a>, Student Film<\/a>\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\t\t\t
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Family is often perceived as the safest, most protected space - a place where trust is unconditional and love conquers everything. However, the reality is much more complicated. There are moments when alienation appears even between the closest people, when the pain of the past and unfinished conflicts, misunderstandings and once unexpressed emotions destroy trust. At such times, family can become a space where love coexists with fear, and care takes on rough forms. A space where silence speaks louder and emotions ...<\/p>\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t\t

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\r\n\t\t\t\t\t\t\t\tDISCIPLINE \u2013 A KIND OF TRAP\u00a0<\/span><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t
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\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\t2026<\/a>, Professional Film<\/a>, Ketevan Ghonghadze<\/a>\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\t\t\t
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Public opinion and family mentality have always been and will be to a certain extent a determining factor in the formation of a person, especially in a society for which it is important to be attached to conservative values, such as adherence to traditional family, cultural and religious rules. In addition to scrupulously adhering to these rules, an important role in such a society is played by what will be said about him, how he will be evaluated and ...<\/p>\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t\t

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\r\n\t\t\t\t\t\t\t\tTHE MOST RADICAL FORM OF CARE<\/span><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t
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\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\t2026<\/a>, Giorgi Bajelidze<\/a>, Student Film<\/a>\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\t\t\t
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What would you sacrifice for the person you love? It's an interesting and very philosophical question. All of us, the civilized citizens of modern society, avoid this question. We might even not have an answer to it or we are afraid to answer it at all. We try to control ourselves with a beautiful smile and a neatly tied tie but what happens when the socio-economic curtain no longer covers our inner reality? What will we do when we are compelled to survive?\nToma Atanelishvili's student film, \"The Price of Kindness\" (2021) puts this question. At first glance, it seems banal, but it is very relevant. Subsequently, this is where ...<\/p>\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ministry of Culture, Sports and Youth of Georgia<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cavea<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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National Archives Of Georgia<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Georgian Film<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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<\/i>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\tP<\/span>A<\/span>R<\/span>T<\/span>N<\/span>E<\/span>R<\/span>S<\/span><\/span><\/h2>\n\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Useful links<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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