{"id":540,"date":"2018-11-27T09:16:54","date_gmt":"2018-11-27T09:16:54","guid":{"rendered":"https:\/\/gfr.ge\/home\/"},"modified":"2026-07-16T18:21:43","modified_gmt":"2026-07-16T18:21:43","slug":"home","status":"publish","type":"page","link":"https:\/\/gfr.ge\/en\/","title":{"rendered":"Home"},"content":{"rendered":"
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\"slider_5\"
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\"\u10d2\u10dd\u10e1\u10d9\u10d8\u10dc\u10de\u10e0\u10dd\u10db\u10d8
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For the first time in the history of Georgian film, the portal of Georgian film criticism.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The project is funded\nby the Ministry of Culture, Sports and Youth of Georgia.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Reviews<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Georgian Film History<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Overview of Georgian Film<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The platform Georgian Film Review is dedicated to an overview of modern Georgian film, its\nfeatures, trends, major aspects, and new movies; however, the reader will also find some materials from the history of Georgian film and also the best reviews developed in the early years by the film critics of the older generation.\u00a0
<\/span>Professional and student film critics are involved in the working process of the website, whose analytical articles regarding Georgian professional and student feature, documentary, and animated films will greatly contribute to the refinement and development of our film criticism as well as the popularization of the Georgian national film.\u00a0
<\/span>The website is bilingual, in Georgian and English, in order to provide desirable and proper information for both local and international movie fans.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\""\u10ef\u10d0\u10e0\u10d8\u10e1\u10d9\u10d0\u10ea\u10d8\u10e1
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\"Father of a Soldier\"<\/figcaption><\/figure><\/div>
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\"Keto and Kote\"<\/figcaption><\/figure><\/div>
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\"Giorgi Saakadze\"<\/figcaption><\/figure><\/div>
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\r\n\t\t\t\t\t\t\t\tOn Those Who Have Left Home, Those Leaving, and Seekers of Freedom<\/span><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t
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\r\n\t\t\t\r\n\t\t\t\tOn Those Who Have Left Home, Those Leaving, and Seekers of Freedom\t\t\t<\/a>\r\n\t\t<\/h2>\r\n\t\t\t\t
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\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\tOctober 15, 2026<\/span>\r\n\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t\t\t\u2022<\/span>\r\n\t\t\t\t
\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\t2026<\/a>, Lela Ochiauri<\/a>, Professional Film<\/a>\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\t\t\t
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The established rhythm of Georgian cinema life has changed over the past few years. Creative processes have become intertwined or, more precisely, overshadowed and relegated to the background by currents of politics, civic engagement and protest, leading to a relative decline in active engagement with the art form itself. \nYet, despite these changes, films are more or less made. They participate in international festivals and even win awards; festivals and competitions are still ...<\/p>\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t\t

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\r\n\t\t\t\t\t\t\t\tIN QUEST FOR A LOST WORLD<\/span><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t
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\r\n\t\t\t\r\n\t\t\t\tIN QUEST FOR A LOST WORLD\t\t\t<\/a>\r\n\t\t<\/h2>\r\n\t\t\t\t
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\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\t2026<\/a>, Teona Vekua<\/a>, Professional Film<\/a>\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\t\t\t
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Modern Georgian cinema has increasingly been trying in recent years to tell the viewer not only an interesting story but also to make them think. The main thing in these films is often not the action, but a person\u2019s environment and inner world. Among such directors is Aleksandre Koberidze, whose films differ from traditional narrative cinema. His works are distinguished by a slow pace, poetic shots and a special atmosphere. Koberidze does not try to explain the viewer everything directly. Conversely, he leaves some space where ...<\/p>\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t\t

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\r\n\t\t\t\t\t\t\t\tGO, WHEREVER YOUR EYES TAKE YOU...<\/span><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t
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\r\n\t\t\t\r\n\t\t\t\tGO, WHEREVER YOUR EYES TAKE YOU...\t\t\t<\/a>\r\n\t\t<\/h2>\r\n\t\t\t\t
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\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\t2026<\/a>, Nana Tutberidze<\/a>, Professional Film<\/a>\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\t\t\t
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Everything in this world, like a stick, has two ends. Human life as well is a path within these two invisible points - the beginning and the end. It is a path one chooses which becomes decisive. This eternity is also evidenced by the fact that artists return again and again to this inexhaustible topic, striving to show it to us from a fresh perspective and make us rethink. \nI always look forward to Nino Basilia\u2019s films with great interest, due to their individuality and unexpected ...<\/p>\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t\t

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\r\n\t\t\t\t\t\t\t\t\"EACH OF US HAS OUR OWN LAW AND JUSTICE\"<\/span><\/a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\t\t\t\t\t
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\r\n\t\t\t\r\n\t\t\t\t\"EACH OF US HAS OUR OWN LAW AND JUSTICE\"\t\t\t<\/a>\r\n\t\t<\/h2>\r\n\t\t\t\t
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\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\tAugust 4, 2026<\/span>\r\n\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t\t\t\u2022<\/span>\r\n\t\t\t\t
\r\n\t\t\t\t\t<\/i>\r\n\t\t\t\t\t2026<\/a>, Teona Vekua<\/a>, Professional Film<\/a>\t\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\t\t<\/div>\r\n\r\n\t\t\t\t\t\t\t
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Cinema is a very broad and diverse field. There are films on almost every topic: love, war, loneliness, human inner crisis, yet, death still remains one of its most difficult and rarely discussed topics, as it really is. Perhaps because mortality is always associated with something imperceptible to the living. Consequently, when a filmmakers approach ...<\/p>\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\r\n\t\t\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ministry of Culture, Sports and Youth of Georgia<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cavea<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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National Archives Of Georgia<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cavea+<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Georgian Film<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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<\/i>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\tP<\/span>A<\/span>R<\/span>T<\/span>N<\/span>E<\/span>R<\/span>S<\/span><\/span><\/h2>\n\t\t<\/div>\n\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Useful links<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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