SONS OF SIN

School, a place where people spend most of their lives. They get to know others, make friends, they even fight, make mistakes and then all this follows them throughout their lives. Each misstep or inappropriate behavior affects others. The barriers people have from school are sometimes visible, often invisible, and destroy them. "Greetings, my painful childhood!"-

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NEIGHBORHOOD EXCHANGED FOR MONEY

Cinema plays an important role in social development and formation of public opinion. The movies that talk about social problems can draw attention to them and help solve them. In addition, they are able to influence the cultural values of society and inspire people to exhibit high morals. Gigisha (Grigol) Abashidze's debut film, "Neighbors" (2018) depicts the daily life of poor and middle-class

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ამაღლებული ოცნების „შერეკილები“

არაერთ გამოჩენილ მწერალს შეუნიშნავს, რომ პროზას მხოლოდ იმის წყალობით უკავია თავისი კუთვნილი ადგილი მხატვრულ ლიტერატურაში, თუ რამდენად მოიცავს იგი პოეზიას. იგივე ითქმის ფილმის შესახებაც, რომელიც თავისი „ჩვეულებრივი“ სპეციფიკით პროზაულია, ხოლო მისი კუთვნილი ადგილი კინოხელოვნებაში იმის მიხედვით განიზომება, თუ რამდენად „არაჩვეულებრივია“ იგი თავისი პოეტური ფორმით. ფილმი, რომელ ჟანრსაც არ უნდა ეკუთვნოდეს იგი, ვერ იქცევა ჭეშმარიტი ხელოვნების …

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BRIDES IN THE VOID

Even the most unusual forms of the illusion of mood characteristic of a feature film, obey the firm conditions of reality-regardless of the quality of what color and compositional experimentation we are talking about. Even in the most extreme forms of convention, the basis of the compositional nature of light and shade and color is reality - even in the most extreme expression of surrealism to realism.

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SORROWFUL IS THE TIME WITH THE PARADE

If the tradition of Georgian cinema repeats itself thematically and develops artistic-thematic interpretations interestingly, then this refers to the versions of man's search for himself most clearly and obviously; dysfunctionality, or adaptation and spiritual crisis that originate in the themes interpreted by the 1960s continue for decades. They find various manifestations - in the Georgian cinema of the 1980s-1990s, 2000s and of the most recent period.

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AN UNATTAINABLE RELATIONSHIP WITH THE AUDIENCE

The phenomenon of falling in love at first sight, how it changes the course of life forever, and the monotonous, unbearable existence of a person affected by the loss of this love - these are the topics that have attracted the interest of filmmakers from the beginning, and have captured the hearts of readers for centuries. It is a difficult task to create a plot and characters that will attract the attention of the audience since love plays such a conceptual, irreplaceable role in human life and readers and viewers have seen and imprinted in their minds a whole cascade of diverse stories about typical lovers.

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REJECTED NEGATIVES - FILM DISCUSSION AND MORE

"They co-exist and they don't co-exist" - this is how Nika explains Dachi what negative numbers are. Nika and Dachi are inmates of a juvenile detention institution just like their peers there - rejected by society and sometimes, even by their families. "Negative Numbers" (2019) is a film by Uta Beria, which is shown to children in different regions of Georgia as part of the "Cinema at School" project and then discussed. It's a good project and a good choice of film. The topics, which take an artistic form in this film, constantly excite any society: people stuck in prison, especially the under-aged; dishonest representatives of justice; the effects of the criminal world on children and adolescents and on society in general; oppression of a person by another one, superior to him, or by a system.

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FADED SUN IN THE CONFLICT ZONE

The image of injustice spread in the colorless space of modernity seems to be perceived as a biblical generalization of one villager, if we create a true story of happiness, philanthropy and oppression of truth. The feature film of director and screenwriter Beso Solomanashvili, "Vegetable Garden in the Conflict Zone" (2021) depicts the tragedy of the 2008 war. In all its essence, such concrete and dramatic, human misery seems to be easily generalized if we find an artistic equivalent, as the author of the film was able to do.

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