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We often encounter an artist’s attempt in modern student cinema, when he tries to say no to traditional storyline and present the viewer not with a particular story but with a pure emotional state. Such works are mainly built on silence, where words are superfluous and thought is formed only through visual plasticity, observation of the environment and the revival of symbolic signs. It is often difficult to draw the line between reality and metaphor since the director does not aim at building a logical chain but to awaken those primal ...










