I DO NOT BELEIVE 

I will start with not an original question - according to what do we evaluate the film in general, what do we pay the most attention to: "what" or "how?” If to "what" - then "Wet Sand" (2021) by Elene Naveriani is a wonderful film, with an acute problem, which today has become a leading trend not only in the world, but also in Georgian cinema, despite the fact that society still closes its eyes to it and does not enjoy talking about it much. The gravity of difference...

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LIZA'S WAY

30 years have passed since the fall of Sokhumi. It is not a short period of time. It might be such for history, but not for life or for art. The wound is still open, and the pain is still alive. This topic has not been closed in the films either. Every now and then, there are films. Some with good, some with less good messages: "This land is ours," "We are in pain," "We were treated unfairly," "We will be back," "We were opposed by the third force," "We are brothers", and "We must stay brothers."

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