SORROWFUL IS THE TIME WITH THE PARADE

If the tradition of Georgian cinema repeats itself thematically and develops artistic-thematic interpretations interestingly, then this refers to the versions of man's search for himself most clearly and obviously; dysfunctionality, or adaptation and spiritual crisis that originate in the themes interpreted by the 1960s continue for decades. They find various manifestations - in the Georgian cinema of the 1980s-1990s, 2000s and of the most recent period.

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