BLOWS AND BENEFITS THAT DEATH BRINGS

In the recent period, Georgian and world cinema have seen the cases of turning to renewed forms of parables, to fable narration. An atmosphere is created, which is based on convention and subtexts, contains a system of messages for the audience and reveals the author’s clear position. It hints, but does not explain. It has a hidden meaning conveyed by a system ...

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IF YOU OVERPOWER REALITY

Initially everything seems familiar, as if it has been seen many times and left behind, stepped and passed, or it is even better to be passed. Vague and clear associations and parallels appear - with other times - with other films, their other content, in them - with other people and their adventures, their problems. with other parts of their/others' lives, other developments and other (and/or similar) endings...

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WHERE BOUNDRIES OF TIME AND SPACE WIPE OUT

სამეცნიერო-კვლევითი ინსტიტუტი, რომელიც ინერციით არსებობს და უკანასკნელ დღეებს ითვლის ომგადატანილ, კვლავ საომარ მდგომარეობაში მყოფ და პოსტსაბჭოთა, დამოუკიდებლობამოპოვებულ საქართველოში. შენობა გაპარტახებულია, როგორც მთელი ქვეყანა, თუმცა სტრატეგიულად ხელსაყრელი მდებარეობა აქვს. მის სივრცეში ხვდებიან ერთმანეთს მეცნიერთა ჯგუფი და ჯარისკაცები. მეცნიერები ყოფის ამაოებაზე მსჯელობენ, ხოლო ჯარისკაცებს ობიექტის დაკავება სურთ, კარსმომდგარი საბრძოლო ოპერაციების ჩასატარებლად. თითქოს უხილავი, უსახელო, მითური და, სინამდვილეში, …

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WE ARE ALL WATCHED AND SEEN BY ONE AND THE SAME SKY

A few years ago, a new voice was suddenly heard in a new Georgian film. A new person appeared: Alexandre Koberidze, who, with his second full-length film, "What Do We See When We Look at the Sky?" (with his own script, a co-production of Sakdoc Film, Georgia, and DFFB, Germany, financed by the National Film Center and other organizations), captured the attention of the entire film world. The young director made the film (in contrast to "Let the Summer Never Come Again," which was shot on a phone in 2017) with a professional camera, together with professional Iranian cameraman Faraz Fesharaki, professional German gaffer Moritz Friese, professional composer Giorgi Koberidze, and professional and non-professional actors.

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